Oliuwadamilola Ogunyankinnu firmly insists he is completely innocent in the murder of 21-year-old aspiring filmmaker Finbar Sullivan, calmly describing a mysterious figure in a black hoodie who allegedly sneaked up and carried out the fatal attack at Primrose Hill. The 27-year-old from Enfield continues to claim that police have arrested the wrong person as he is escorted to court appearances, maintaining a composed demeanour throughout the early legal proceedings. However, sources close to the investigation reveal that his detailed and methodical account of the “man in the black hoodie” has raised significant questions among detectives. Reports indicate that police quickly discovered discarded clothing in a trash can near the north London crime scene, complete with several suspicious marks on the fabric and other details potentially linked to the case.

The tragic stabbing unfolded on Tuesday evening, April 7, 2026, around 6.30pm at the popular viewing point in Primrose Hill. Finbar Sullivan, a talented filmmaking student at the London Screen Academy, had visited the scenic park to test a new camera he received for his 21st birthday. What should have been a peaceful creative outing ended in horror when emergency services responded to reports of a fight. Finbar suffered multiple stab wounds, with the fatal injury being a deep cut to the leg that severed an artery, causing him to bleed out rapidly despite a friend performing CPR for approximately 20 minutes at the scene. He was pronounced dead at the location. A second man in his 20s was also found nearby with non-life-threatening knife wounds and received hospital treatment.

Ogunyankinnu was arrested on Friday and charged with murder. He appeared at Stratford Magistrates’ Court on Monday in a brief two-minute hearing, where he told the court: “I didn’t kill anybody, I didn’t stab anybody, they’ve got the wrong person.” District Judge Ashwinder Gill committed the case to the Old Bailey due to its seriousness, and the 27-year-old was remanded in custody. During police interviews and subsequent statements, the suspect reportedly provided a calm, step-by-step narrative that shifted blame onto an unknown assailant wearing a black hoodie who approached the victim suddenly. He described the figure sneaking up with purpose, suggesting the attack was targeted and swift, leaving him as a mere bystander caught in the wrong place at the wrong time.

Investigators, however, appear unconvinced by this version of events. Sources reveal that a search of the immediate area around Primrose Hill uncovered clothing discarded in a nearby trash can shortly after the incident. The items reportedly included a dark hooded top consistent with the description given by the suspect. Several suspicious marks were noted on the fabric – believed to be bloodstains or other biological traces – along with additional details such as the condition of the clothing and its proximity to the crime scene that have raised red flags. Forensic teams are said to be examining the garments for DNA, fibres, or other evidence that could tie them directly to Ogunyankinnu or the attack itself.

The contrast between the suspect’s steady, emotionless recounting and the physical evidence reportedly found in the trash can has left many involved in the case questioning whether the black hoodie story is a genuine observation or a self-invented excuse designed to shift blame. Detectives note that his account was delivered with eerie composure, lacking any visible signs of distress over the young life lost. This methodical detailing of the hooded figure, combined with the discovery of potentially incriminating discarded clothing, has intensified scrutiny on his claims of innocence.

Finbar’s family has been left heartbroken by the loss of their only son. His father, Christopher Sullivan, 65, an artist, described Finbar as “the most beautiful, lovely, outgoing, loving boy.” Christopher recounted the devastating moment he learned of the death after rushing to Primrose Hill following a call from one of his son’s friends. Initially blocked by a police cordon, he was eventually informed by a CID officer: “I am sorry, your son is dead.” He added, “This is the worst tragedy I could ever imagine. He’s my only son. I had him when I was 45. He can never be replaced. I’m so broken-hearted, I can’t believe it.” Finbar had strong creative roots as the grandson of legendary cinematographer Michael Seresin, known for films like Harry Potter and the Prisoner of Azkaban. Working under the alias “Sully Shot It,” the 21-year-old was passionate about producing music videos and building a career in film.

The Metropolitan Police continue their active investigation, appealing for witnesses and footage. They are particularly interested in speaking with a young woman or teenager seen filming in the park that evening, wearing a pink vest, blue denim shorts, and black trainers. Videos, photos, or information can be submitted via the major incident portal or by calling 101, quoting reference 6448/07Apr. Anonymous tips can go to Crimestoppers.

This case has shocked the local community and reignited debates about knife crime in London’s public spaces. Primrose Hill, usually a place for families, dog walkers, and scenic views, became the site of sudden violence on a warm spring evening. Social media footage of an apparent altercation has circulated, though its exact connection remains under review.

As the case progresses at the Old Bailey, the question of the mysterious black hoodie looms large. Is it a real third-party perpetrator who fled the scene and discarded evidence, or a convenient narrative crafted by the accused to deflect responsibility? The suspicious clothing found in the trash can – with its marks and contextual links – could prove pivotal in court. Forensic analysis may determine whether the garments contain Ogunyankinnu’s DNA, the victim’s blood, or other traces that contradict his claims.

Ogunyankinnu maintains he is the victim of a miscarriage of justice, insisting the real attacker escaped while he was wrongly targeted. Yet the discovery of the discarded items so close to the scene has added layers of doubt to his story. Officers involved have reportedly found his indifference during questioning particularly troubling, describing it as detached from the human cost of the crime.

Finbar Sullivan’s death represents a profound loss for his family and the creative community. A gentle, enthusiastic young man with a promising future was taken in an instant of violence while simply pursuing his passion. Tributes continue to highlight his kindness and determination, especially after overcoming an earlier eye impairment.

The coming court proceedings will likely examine all evidence in detail, including the trash can discovery and the suspect’s account of the hooded figure. For now, the black hoodie remains at the centre of a tense debate: real threat or invented scapegoat? Police are determined to establish the truth, ensuring justice for Finbar while sifting through the conflicting narratives.

This high-profile case underscores the challenges of investigating sudden public stabbings where witness accounts and physical evidence must align under intense scrutiny. As spring returns to Primrose Hill, the viewpoint where Finbar stood with his camera now carries a lasting shadow, while a father grieves an irreplaceable son and investigators pursue every lead, including the fate of that mysterious black hoodie.